Ungrateful Daughters: The Stuart Princesses Who Stole Their Father's Crown
by Maureen Waller
My rating: 3 out of 5 stars
Interesting account of the end of the Stuarts in England.
Until the last century there remained vehement opponents of the switch to
Hanoverian rule.
James II's daughters, Mary and Anne, were Anne Hyde's
daughters. They resented their stepmother, Mary of Modena, and were so bitter
at her baby son's arrival (cue pushing towards their throne) that a family row
ensued, escalating into a coup against their father aided by public fears and
anti-Catholic prejudices.
James II, as Charles II's younger brother, had not always
been expected to rule. The latter, however, left no legitimate heirs. Only when
James came under greater scrutiny as king did his Catholicism come into much
question publicly, the matter having been kept discrete like many sensitive
royal details.
Malicious rumours erupted concerning the baby prince's
legitimacy, the harshest being that he was an imposter smuggled into the palace
in a bed-warming pan after Mary's real baby died. The likelihood, or not, of
this is examined, as is the issue of post-reformation England's then
governmental power mongers (and proletariat) dreading any return to a Catholic
monarchy. The last had been Bloody Mary Tudor, under whose watch 283
Protestants had been executed for heresy, most by burning.
James II's baby heir, James Francis Edward Stuart, later to
become nicknamed the Old Pretender, was taken to France by his mother who
feared for his life, and kept by his cousin Louis XIV of France.
James II then fled England for his safety when it became
apparent that his Protestant son-in-law, William of Orange would invade at the
request of James' detractors. James' baby son was railroaded from the
succession by Mary and William. That couple ruled jointly until William died,
leaving just Queen Mary II. With no offspring, Mary's demise left Queen Anne to
wind up the Stuart rule. Her disastrous run of 17 pregnancies left no living
offspring either. So came their Hanoverian cousins, descended from the same
Stuart grandparents via the maternal line.
These two 'Ungrateful Daughters' of James II, as the title
suggests, are not portrayed sympathetically. This may not be author bias, but
more likely the way many have remembered them. Neither went down in history as
hugely popular monarchs, although Anne's reign saw nationalistic development,
notably the 1707 Acts of Union whereby her realms of England and Scotland
became united as Great Britain, creating Europe's largest free trade area.
Ungrateful Daughters is an insightful account of
the 1688 Glorious Revolution and two rather troubled and troublesome sisters,
neither of which became greatly revered. Anne became more iconic than Mary but
without attaining much personal popularity with all those around her. Political
and diplomatic achievements of Anne's governments, and the absence of
constitutional conflict between herself and parliament, indicate that she chose
ministers and exercised her prerogatives wisely. Her reign marked an increase
in the influence of ministers and a decrease in the influence of the Crown
The Stuarts have been tagged a jinxed dynasty, with Mary of
Scots and her grandson Charles I's executions, the latter's triggering
England's republic. Then, after the long awaited and greatly hailed
Restoration, Charles II's morally lax court attracted fresh disrepute; his many
controversial bastards but no legitimate heirs signalled the beginning of the
end for these Stuarts. Two unsuccessful invasions and coups by leftover Stuarts
were plotted after the Hanoverian branch was called in: the 1708 Jacobite Rising,
led by the Old Pretender, and the 1745 Jacobite Uprising led by his son, the
Young Pretender (Bonnie Prince Charlie).
An important era to study in piecing together how the UK got
today's royals, whose convoluted lineage runs from William the Conqueror ...
via the tragic forbear of these very Stuarts: Mary Queen of Scots (and her
Hanoverian descendants). Maureen Waller makes the characters and their motives
accessible, coherent and dramatic without switching from meticulous
documentation to melodrama.
Well-crafted high calibre biography.
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